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View my new work at McGowen Fine Art!

January 15, 2013

M c G O W A N   F I N E  A R T 

LOVE, LUST & DESIRE
January 29 – February 15, 2013
reception February 1, 5-7 PM
snow date February 8, 5-7 PM

A low fat alternative for your sweetheart just in time for Valentine’s Day- with over 60 artists showing works that are 11 x 8 or smaller!

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Rachel Montroy

McGowan Fine Art
10 Hills Avenue, Concord, New Hampshire 03301
phone: (603) 225-2515

Click here for more info

Master Class with Kathy King at the Currier Museum, Oct. 20th

October 13, 2012

Only one week away!

Currier Museum of Art, 150 Ash Street, Manchester, New Hampshire 03104

Lives Transformed: A Celebration of Marvin Sweet and his Students

September 6, 2012

At the Essex Art Center in Lawrence, MA-

September 7-October 19, 2012. Opening Reception Friday September 14, 5-8pm

Chester F. Sidell Gallery    

Lives Transformed: A Celebration of Marvin Sweet and his Students 

Immer Cook 
Trisha Coates 
Andrew Denney 
Cristina Covucci 
Erin Lee O’Sullivan 
Jesse McMaster 
Rachel Montroy 
Megan Samson 
  
 Montroy
 Rachel Montroy 

   Marvin Sweet was more then just a great teacher, mentor, and dear friend. He was and is the guiding spirit behind the objects we make and the people we continue to aspire to be. His lessons continue to inspire us to make art that nourishes our souls as well as the world around us. This exhibition represents some of his former students who have carried on a spiritual quest of art making that could not have been possible without his prominent influence over our lives. It presents a wide spectrum of personal aesthetics and technical mastery that Marvin taught us inside and out of our studios. Utilizing clay as our means of expression, our work is informed by a combination of clear ideas, developed technical skills, heightened aesthetic sensibilities, and formal art training that Marvin was the catalyst for. The intent of this exhibition is to honor and celebrate the life of Marvin Sweet as we maintain a direct connection to him every time we touch clay. 

                        -Erin Lee O’Sullivan

 

 

 

Marvin Sweet is a long-time friend, supporter, donor, and occasional instructor at Essex Art Center. The relationship grew from Helen Tory’s and Leslie Costello’s (EAC co-founders) time at Bradford College where Leslie studied ceramics with Marvin. Marvin worked with one of the artists in this exhibition, Andrew Denney, to build the Essex Art Center’s first raku kiln. He is missed by many.

 

Marvin Sweet (1953-2010) was a ceramist, teacher and writer. He received his Master of Fine Arts degree from Boston University. Since then his work has been featured in several books and magazines, exhibited throughout the United States and abroad and is in both private and public collections. He has received numerous prizes and awards including the Artists Foundation Fellowship Award, the Massachusetts Cultural Council Professional Development Grant, and the Juror’s Award from the Yixing Art Museum.

 

Mr. Sweet has traveled extensively in China and has authored several articles on artistic influences shared between Eastern and Western cultures. Among his writings are Merging Cultural Diversities, Art, Influence and Culture and The Yixing Effect all for Ceramics Monthly magazine. He wrote the catalogue preface for Yixing artist Zhou Dingfang. And in 2004 he wrote, Lu Pinchang: A Matter of Space, published in Ceramics Art and Perception magazine.

 

In 2001 he was a featured speaker at the International Ceramic Art Symposium in Yixing, China and the Jingdezhen Ceramic Arts Academy. In 2003 he was visiting professor at the Central Academy of Fine Art in Beijing, in 2006 he spoke on Clay and Globalization: Impacts on Tradition, Cultural Identity and the Individual Artist at the Archie Bray International Ceramic Symposium. Most recently he led a panel discussion on The Yixing Influence on Contemporary American Ceramics at the 42nd annual conference of NCECA in Pittsburgh.

 

Over the past twenty-five years Marvin Sweet has amassed a collection of Chinese scholar art which includes scholar’s rocks, root art and other objects used on the scholar’s table, as well as nearly 200 Yixing teapots which date from the 18th century to the present. This collection served as the basis for his book, The Yixing Effect: Echoes of the Chinese Scholar.  He then curated the exhibition by that name at the Holter Museum of Art in Helena, Montana. Hu Jintao, President of the People’s Republic of China, on his official visit to the United States in 2006 used Marvin’s book as a cultural exchange gift, presenting it to the Yale University library for its permanent collection.

 

Come and check out my new work at the Soo Rye Art Gallery

August 23, 2012

At the Soo Rye Art Gallery

Sarabeth Graziano. Cory Shea Munro. Jane LaBlanc. David Christopher .Rachel Montroy. Tracy Hayes. Joshua Stringer.

Opening Reception  September 22nd 2012​ 5-8pm

This exhibition will include the work of 7 very different artists, each of whom pulls their primary inspiration from the world within. Along with both 2D & 3D artwork the gallery will be playing the music of Joshua Stringer. This promises to be an exciting and new atmosphere for the gallery.  More information about the artists involved will be released shortly~

Angela Cunningham Workshop

June 3, 2012

click for large size

Tuesday 7/24 02:00 PM

Visiting Artist Workshop with Angela Cunningham
July 24, Tuesday, 2:00 – 5:00 pm

at the Harvard Ceramics studio

Ceramic artist Angela Cunningham will discuss her exquisitely detailed and provocative body of work inspired by forms in nature. Demonstrations of her artistic process and a sampling of her construction methods, including hand building and wheel throwing techniques, will be shown. Angela states, “I am inspired by the seductive textures, elegant lines, and fertile energy of flowers. Fruits and vegetables fascinate me with their tantalizing colors, dense seed structure, and grotesque beauty.”

Fees: Enrolled in a course, Free. Not enrolled, $50
Please send a completed registration form to panepint@fas.harvard.edu

About the artist:
Angela Cunningham began working in ceramics at the suggestion of her high school counselor during Saturday detention. Fifteen years later, after receiving a B.A. in Philosophy from the College of William and Mary and an MFA in Ceramics from Pennsylvania State University, she works as a full-time studio artist at Mudflat Studios in Somerville, MA. Angela is an up-and-coming ceramic artist, exhibiting nationally and internationally, including at the Korean World Ceramic Bienniale and the Smithsonian Craft Show. She has been recognized with numerous grants and awards, notably from the Massachusetts Cultural Council, Somerville Arts Council, and Niche Magazine.

click for large size

Community Supported Art Project! At the Sharon Arts Center in Peterborough, NH

May 16, 2012
  • TO BUY A SHARE, CALL (603)924-2787.

CSArt Project 2 • Summer 2012

What is a CSA?

Over the last 20 years, Community Supported Agriculture (CSA) has become a popular way for consumers to buy seasonal food directly from local farms. With the same buy-local spirit in mind, Community Supported Art is a similar endeavor to support local art, artists and collectors. We are seeking artists, of all disciplines, to launch our inaugural Community Supported ART (CSArt) program. Our local CSArt program is modeled on a similar project created by Springboard for the Arts and mnartists.org in Minnesota. This is a new and highly successful grassroots arts effort taking shape across the nation, helping to promote artists along with the beauty and necessity of the arts within a regional framework. Nine artists will be selected from a jury of local food and art luminaries (TBA) and will receive a stipend of $1,250, great connections to local collectors and significant promotional support. The visibility generated from the project alone is anticipated to be enormously beneficial to any artist along any stage in his/her career.

How CSArt works:

Selected artists will create 50 “shares” for the program*. A typical share will consist of a work of art/object of artistic production – multiples are encouraged, however creative ideas that translate your practice into this format or connect to themes like sustainability, farm, or food are also welcome (for example a limited edition of screen-prints, series of small tea cups, a run of photographs, a pairing
of glass objects, letterpress editions of an artist book, or even 50 small original paintings). Collaborations between artists or work by collectives are also welcome. The artwork will be limited editions for CSArt only—i.e. rare and unique, unavailable elsewhere. CSArt pieces should be created for the program in limited editions. This is what makes it, like an agricultural CSA, fresh and local. The advantages to participating in CSArt are not just the stipend and the monetary compensation – it also guarantees the shares get into the hands of 50 patrons who might want to form relationships with the artists and may wish to buy more work from them.

Interested consumers/collectors will purchase a share (aka a “membership” or a “subscription”) and in return receive 3 “farm boxes” of unique, locally-produced artwork at intervals this Summer season: JUNE, JULY and AUGUST.

We anticipate selling out quickly, with a $330 per share cost to the public.

SUMMER 2012 SELECTED CSArt ARTISTS

Kristin Boyle

Tricia Gibbs

Jenn Houle

Brittany Kelly

Cheryl Z. Miller

Rachel Montroy

Amy Marie Regan

Linda C. Widstrand

James Grashow

Access Ceramics

March 24, 2012

I am excited to announce that you can now view my work at 

accessCeramics

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